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I want PR, but I don’t know why

By Danny Sullivan

It’s not uncommon to sit down with a startup technology company for an initial discussion about a potential PR engagement and have a conversation that goes something like this:

Tech company exec: “I think we need to start doing some PR and I’d like you to present us with some ideas.”

PR agency: “Er, okay, but can you first give us some idea of why it is that you think PR will help your business at this time?”

Exec: “Well, I was hoping that you could tell us that …”

Of course, at this point the conversation typically becomes an exercise that should really have been started before the agency even entered the equation. That is, to explore what are the primary reasons for engaging a PR program, and what it is ultimately supposed to achieve.

Yes, the PR firm brings the expertise needed to plan and execute an effective program, but they are not the experts in your business … you are. Can you really expect a PR agency to sit down at the first meeting and tell you how they can help you achieve your goals or overcome certain challenges, when they have little idea what those goals and challenges are? Of course not. PR is not a cookie-cutter proposition, and its practitioners work best when they can apply their knowledge to a specific scenario, which invariably changes dramatically from company to company.

This doesn’t have to be an extensive exercise, and the information needed to get things rolling is probably common knowledge within your organization. Simply ensure that you have a fairly clear idea of what it is that you expect from doing PR, and then you can expect to have a valuable conversation about what the experts can do to help you.

No better time to start a company

By Francis Moran

There is no better time than now to start a technology company in Canada, Montreal-based serial entrepreneur Austin Hill told a sold-out crowd at last night’s inaugural Ottawa Founders and Funders dinner.

Hill told the entrepreneurs and various investors gathered at the Velvet Room how he raised US$25 million on a US$100-million pre-revenue valuation of his company Zero-Knowledge Systems Inc. (now called RadialPoint) just as the whole tech sector was going kaflooie at the beginning of this decade. The tough times that followed taught him very difficult lessons about being an entrepreneur as he was obliged to lay off employees he had personally recruited and induced to move to Montreal.

RadialPoint emerged from the meltdown as a much stronger company, Hill said, because of this focus on creating value. And the same opportunity exists today, he insisted.

“People who understand technology and people who have money and know how to make it work effectively have never existed together in Canada like they do today,” he said, making this “a great time for Canadian startups.”

Hill got chuckles from at least the founders in the room when he asked what you get when “you cross a lemming with a sheep?” The answer, of course, is a venture capitalist, and the current economic meltdown means only the truly committed risk-takers will be left standing. Tough times have a way of “washing out some of the people who weren’t serious about our sector in the first place,” he said.

I managed a brief aside with Hill that I used to ask him about his latest venture, Akoha. I have been curious ever since I signed on to the game whether it was purely a philanthropic undertaking or whether there was a revenue model behind it somewhere. “A very powerful revenue model,” Hill assured me before going into some fascinating details I won’t spill here since I neglected to get his permission to do so. But go take a look at the site for yourself.

Curiously, I was just this morning able to personally experience a sharp contradiction to one of Hill’s contentions, although I suspect he’d be happy to hear about it. Ottawa and other tech-heavy Canadians cities lack the kind of meeting places, like coffee shops, where you can wander in and be sure to run into people you need to meet, he suggested, saying that was his common experience in California. Well, for what it’s worth, I wandered into my friendly neighbourhood Bridgehead this morning only to run into Scott Lake. We spent a good 40 minutes chatting about his newest venture, ThinkSM. While we were doing so, I pointed out the head of one of Ottawa’s largest integrated communications agencies who wandered in while Scott recognised some major investor who was also at Bridgehead having a meeting over coffee. So maybe we do have some of that gravitational pull Hill was pining for.

The dinner itself was a good room and full kudos need to go to Allan Isfan of FaveQuest who pulled it together.

‘My PR agency can’t write’

By Francis Moran

“I’ve just come to expect that my (public relations) agency can’t write,” was the astonishing admission I heard a few weeks back from a vice president at one of Ottawa’s larger technology companies who called us to see if we’d be interested in participating in an agency review process.

(I’ve promised not to name him (or her) for reasons that will be obvious as you read the rest of this post.)

I could hardly believe my ears. But yes, he said, it had long been his experience that the PR practitioners he had been dealing with from a range of different agencies and across a number of companies just weren’t very good writers, and so it fell to him to write most of the materials used in his campaigns. One of the key reasons he was approaching inmedia, he told me, was our very strong reputation in the marketplace as superb writers, a reputation he said was confirmed when he read our blog and web site.

I chalked this one up to what I assumed was just an unfortunate experience on the part of one technology marketing executive until I relayed the story to a colleague last week, a CEO at another technology company here in Ottawa and an insightful marketer in his own right. I was again utterly gobsmacked when he said he didn’t view writing as a core requirement in the PR function, that the ability to pitch the story was far more important.

“And what do you do,” I asked him, “When the pitch is initially well received and the next words out of the reporter or editor’s mouth are, ‘Sounds good, send me something about it.’?”

Here’s the thing. To work at inmedia and, I believe, to be an effective media relations practitioner anywhere, you must be able to write at an expert level and you must be able to effectively pitch what you’ve written. There is no hierarchy between these two fundamental skills. Lack one, and you’re out of the game.

And here’s why.

To believe, as these two otherwise successful technology marketers clearly do, that writing is either not terribly important or that your PR function, whether internal or an agency, can be permitted to be lousy writers, is to completely beggar the entire communications process.

In the first instance, despite all the wonderful new communications tools at our disposal, most journalists still want to see something in cold, hard black and white, even if it is delivered electronically. And even if they don’t ask for it, it’s just gotta be in your best interests to give them well-written material so they have the complete story, with all the relevant facts and accurate spellings of company, product and people’s names to which they can refer. This is just so basic I’m staggered it needs stating.

Second, how in the heck does a PR practitioner demonstrate her or his understanding of the story without writing about it? Yes, a properly written document proves the communicator can — gasp! — communicate. That is, the words run together in some sort of comprehensible order, everything is spelled correctly and the commas and periods are in the right places. But it still won’t be any good unless the person writing it actually has a thorough grasp of the subject matter.

Effective writing is not a case of cutting and pasting bits and pieces from other documents to make a different document and it needs to be more than a merely technically accurate use of words, grammar and punctuation. Effective writing is the process of distilling what has been learned — from other documents, certainly, but also, and critically, from interviews with a range of subject-matter experts — into a new piece of work. It not only communicates the story to all who read it, it also demonstrates understanding.

Bottom line: If your agency can’t write about it well, they almost certainly can’t pitch it well. And even worse, they probably don’t even understand it well.

So, did we get the business? Well, that’s another story that I cover here: The Ottawa inferiority complex theorem strikes again.

So here’s the bad news…

By Danny Sullivan

Over on TechCrunch yesterday, Michael Arrington hit back at those who have condemned his site and others for their policy of reporting on tech companies that are failing in the downturn.

Arrington states: “Reporting on layoffs or a dead company isn’t tabloid journalism. We do not take pleasure in seeing companies fail. But it’s inevitable that most will. And not only is it news, but readers have a right to know about it.”

And, while no self-respecting PR person wishes to see the details of their company’s demise being covered in the news, I have to support Arrington’s position on this.

Every day, I awake to the early business news on BBC radio and, for the past couple of months, every story has been filled with doom and gloom: companies and banks going to wall, layoffs, falling house prices, and so on. And yet I don’t expect the Beeb to ignore the facts of the downturn and to focus only on positive stories, so why should we expect anything different from a blog like TechCrunch?

As consumers of news, we expect the media (and bloggers) to bring us the important facts about the world we live in, and it just so happens that the business world is going through some major turmoil right now. No one likes the current situation, but facing up to reality is the only way companies will come through this successfully. News covers both the good and the bad, and we should not condemn the media for reporting on the uglier facts, just because we don’t feel like hearing them.

The risks of factual exaggeration

By Leo Valiquette

Most of us in Canada are no doubt familiar with that amusing commercial from Rogers about a fellow bragging to his friend about his new high-definition flatscreen television, despite the fact that the picture quality is horrible because he lacks the HD box for his television to display a true HD signal.

Well, this week my eight-year-old antique gave up the ghost. I had long ago decided that, should the day come, I would go with a Sharp Aquos 1080p LCD television. Within 24 hours of the old TV’s death, I had the new one on the wall.

Now, to set up the new TV, I simply connected my standard cable without any HD box, fully expecting to be confronted by god-awful picture quality that would be unbearable to watch.

But, to my utter amazement, the picture quality was at least as good as it was on my old TV. There was none of the blurry distortion dramatized in that Rogers commercial. Maybe I am not enjoying the full HD experience, but I certainly do not feel a pressing need to rush out and buy the HD box.

Granted, this is my personal experience after having the new TV set up for only an hour. Perhaps I am missing something.

But before I even got the TV home, I was in the electronics store shaking my head at a split screen comparison of the quality difference between a regular DVD picture and a high-definition Blu-ray disc picture. Again, there appeared to be a little exaggeration at work. Later at home, I played a standard DVD movie on my standard DVD player through the new LCD TV. When compared to the split-screen comparison I saw in the store, the picture quality was much closer to that of the Blu-ray than it was to the standard DVD as it was portrayed.

Comparisons can be a very effective means of selling buyers on the merits of your product or service, but in the bid to create that “wow” factor that allows your product to fly off the shelves, be cautious about massaging the facts. Your product may clearly be better than your competitor’s, or the status quo, but be careful about trying to present those advantages more dramatically than they really are. Sure, you may dupe the unsophisticated buyer, but, guaranteed, there are plenty of savvy people who will see through the gimmick and out you on — oh, I don’t know — a blog, perhaps?

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